Paradise Now - Johnson Lee
[3 Weekly - Issue 352 - 08 July 2006]
Translated by Em


Johnson shows his versatility in his first movie role as the bossy director in "King of Comedy" and dressing up in TVB's sketch show "Laugh Jam".


Working alongside Ronald Cheng hosting TVB's talent spot "It's Show Time" in 2005 and taking on a more intense role in "Split Second".

return to main page News Plus Index Johnson's TVB Weekly interview
[3 Weekly - Issue 352 - 08 July 2006]
Translated by Em
Natural Born Fantasist
Some people are naturally full of fantasies and Johnson is among the extremes of these people. What he thinks of is a story that consists of vivid images and even before he has filmed it, there is a complete film inside his head. Johnson emigrated to Canada at an early age, his father was a businessman, his mother a teacher. As his parents gave him quite a strict upbringing, so every day after school, he had to stay at home and his companion was his parent's approved toy - Lego. He often spent days building up his models to while away the days and it was these building blocks that developed his unbounded creativity and his abundance of fantasies.
"When I was young, I liked to watch Japanese robot cartoons and naturally wanted to have the models, but my father and mother said this was no good for me and I was only allowed to play with lego, because it is more stimulating and educational. But I really wanted a robot toy, why am I forced to play with lego? So I took the boxes of lego that my parents bought me and mixed them all up to build my very own robots. I remember I built them like the ones on the series 'God Mars', where you could pull it apart into six different robots or build them together into one big robot." Johnson relishes his memories.
Dolls as Actors
Since them, every toy that Johnson came across became an accessory to his creativity. For example when the G.I.Joe doll became popular in Canada, he would buy them one by one, not because he wanted to collect them, but to use them to start 'filmng'. Some were villains, others were heroes and then he would write and direct his own stories as he arranged for his toys to have a battle between good and evil as well as some emotional relationship stories and 'Infernal Affairs'-style twists as a movie was completed in his mind.
Although it sounds like a story of a boy who was neglected and lacked family love, but it was this training that left him with a deep grounding for his creative talent.
Still don't think he is imaginative enough? Later, he even went so far as to start rearranging the characters from Jin Yong's novels. He explains: "At the time, I was already very serious and after reading the novel 'Return of the Condor Heroes' with it's ancient settings, I was already formulating a science fiction version of it. Then I drew them all into comic strip form, giving them scripts and speech. I remember in the original story, Kwok Sheung chopped off Yeung Guo's arm with a sword, but in my version, she had a laser cannon that blasted Yeung Guo's arm apart."
Some people are naturally full of fantasies and Johnson is among the extremes of these people. What he thinks of is a story that consists of vivid images and even before he has filmed it, there is a complete film inside his head. Johnson emigrated to Canada at an early age, his father was a businessman, his mother a teacher. As his parents gave him quite a strict upbringing, so every day after school, he had to stay at home and his companion was his parent's approved toy - Lego. He often spent days building up his models to while away the days and it was these building blocks that developed his unbounded creativity and his abundance of fantasies.
"When I was young, I liked to watch Japanese robot cartoons and naturally wanted to have the models, but my father and mother said this was no good for me and I was only allowed to play with lego, because it is more stimulating and educational. But I really wanted a robot toy, why am I forced to play with lego? So I took the boxes of lego that my parents bought me and mixed them all up to build my very own robots. I remember I built them like the ones on the series 'God Mars', where you could pull it apart into six different robots or build them together into one big robot." Johnson relishes his memories.
Dolls as Actors
Since them, every toy that Johnson came across became an accessory to his creativity. For example when the G.I.Joe doll became popular in Canada, he would buy them one by one, not because he wanted to collect them, but to use them to start 'filmng'. Some were villains, others were heroes and then he would write and direct his own stories as he arranged for his toys to have a battle between good and evil as well as some emotional relationship stories and 'Infernal Affairs'-style twists as a movie was completed in his mind.
Although it sounds like a story of a boy who was neglected and lacked family love, but it was this training that left him with a deep grounding for his creative talent.
Still don't think he is imaginative enough? Later, he even went so far as to start rearranging the characters from Jin Yong's novels. He explains: "At the time, I was already very serious and after reading the novel 'Return of the Condor Heroes' with it's ancient settings, I was already formulating a science fiction version of it. Then I drew them all into comic strip form, giving them scripts and speech. I remember in the original story, Kwok Sheung chopped off Yeung Guo's arm with a sword, but in my version, she had a laser cannon that blasted Yeung Guo's arm apart."


Johnson shows his versatility in his first movie role as the bossy director in "King of Comedy" and dressing up in TVB's sketch show "Laugh Jam".
Impersonating Leslie Cheung
Life in Canada was very boring and apart from 'filming' at home, then Johnson would go out with his family for meals. Luckily at that time, there was the invention of Karaoke and all the restaurants had invested in this amazing machine for customers to fulfil their popstar dreams on the stage. "The restaurant was like a retro music hall and if you wanted to go and sing on stage, you had to write on a piece of paper and queue. At the time, my voice was breaking, so with a voice that was neither deep nor high, it was ideal for singing Leslie Cheung's songs. His songs were very magnetic and Leslie's stage presence was very charming, so I learned this as well for added appeal."
Maybe many people are like Johnson, developing their passion to perform from the karaoke stage. When he was fourteen, Johnson returned to Hong Kong for his summer vacation and at the time, an auntie knew he loved to karaoke, so she suggested he took part in a singing contest at Yuen Long's Fairview Park. Singing Leslie's "Love Cross" and dancing on the stage in the same way as Leslie, he won applause and screams from the crowd and from that day on, he was hooked to the buzz from performing on the stage.
Several years later, he went to university in Canada to study Fine Arts, where he had to take courses in woodwork, sculpture, drawing and animation. Why did he choose to study Fine Arts? Maybe it was related to his creative urges, but for Johnson, who always likes to challenge tradition, his final project was not presented in the form of the usual woodwork, sculpture, artwork or computer animation, but in the form of a silly short film that got him a top mark.
Failed First Creation
Having behind him creativity, fantasy, performance ability and filming experience, Johnson returned to Hong Kong in 1998 with the aim of joining the production team of a film crew."If you want to get into the industry successfully, you have to be able to show your worth, so I entered a competition at the Arts Centre and took it very seriously, using a five figure sum to employ actors and a production crew, while I became the leading actor, director and scriptwriter. Unfortunately, my film was a commercial romance and the competition was judged by a group of artisans, who looked it from a different angle, so of course I was quickly ousted."
After this failure, Johnson felt a little hard done by, so when he saw that Stephen Chow was holding a training class for his new film "King of Comedy", he entered it straight away. His aim was not to become an actor, but to find someone who would help him get his justice. He says: "I felt that the film was very good and there was no reason why I would lose, so I would carry the film around with me and show Lee Lik Chi and Sandra Ng."
However, after they saw the film, they were still unmoved. Conversely when Johnson attended the audition, he left a different impression on Sandra: "At the talent show, there were 300 people there, but 90% of them would do impressions of Stephen Chow. At the time, I thought: 'If you do Stephen, you'd definitely lose out, how can you be funnier than him? These people have no personality, I am so bored!'. Later when it was my turn, Sandra asked me what I was doing and I just said: 'Human Model' off the top of my head. Then I followed the music and did a random silly dance. Truthfully, I did not know what I was doing, but my movements were lewd and comedic and the whole panel were rolling on the floor laughing. Sandra then said to me: "That's fine, you're in!"
Life in Canada was very boring and apart from 'filming' at home, then Johnson would go out with his family for meals. Luckily at that time, there was the invention of Karaoke and all the restaurants had invested in this amazing machine for customers to fulfil their popstar dreams on the stage. "The restaurant was like a retro music hall and if you wanted to go and sing on stage, you had to write on a piece of paper and queue. At the time, my voice was breaking, so with a voice that was neither deep nor high, it was ideal for singing Leslie Cheung's songs. His songs were very magnetic and Leslie's stage presence was very charming, so I learned this as well for added appeal."
Maybe many people are like Johnson, developing their passion to perform from the karaoke stage. When he was fourteen, Johnson returned to Hong Kong for his summer vacation and at the time, an auntie knew he loved to karaoke, so she suggested he took part in a singing contest at Yuen Long's Fairview Park. Singing Leslie's "Love Cross" and dancing on the stage in the same way as Leslie, he won applause and screams from the crowd and from that day on, he was hooked to the buzz from performing on the stage.
Several years later, he went to university in Canada to study Fine Arts, where he had to take courses in woodwork, sculpture, drawing and animation. Why did he choose to study Fine Arts? Maybe it was related to his creative urges, but for Johnson, who always likes to challenge tradition, his final project was not presented in the form of the usual woodwork, sculpture, artwork or computer animation, but in the form of a silly short film that got him a top mark.
Failed First Creation
Having behind him creativity, fantasy, performance ability and filming experience, Johnson returned to Hong Kong in 1998 with the aim of joining the production team of a film crew."If you want to get into the industry successfully, you have to be able to show your worth, so I entered a competition at the Arts Centre and took it very seriously, using a five figure sum to employ actors and a production crew, while I became the leading actor, director and scriptwriter. Unfortunately, my film was a commercial romance and the competition was judged by a group of artisans, who looked it from a different angle, so of course I was quickly ousted."
After this failure, Johnson felt a little hard done by, so when he saw that Stephen Chow was holding a training class for his new film "King of Comedy", he entered it straight away. His aim was not to become an actor, but to find someone who would help him get his justice. He says: "I felt that the film was very good and there was no reason why I would lose, so I would carry the film around with me and show Lee Lik Chi and Sandra Ng."
However, after they saw the film, they were still unmoved. Conversely when Johnson attended the audition, he left a different impression on Sandra: "At the talent show, there were 300 people there, but 90% of them would do impressions of Stephen Chow. At the time, I thought: 'If you do Stephen, you'd definitely lose out, how can you be funnier than him? These people have no personality, I am so bored!'. Later when it was my turn, Sandra asked me what I was doing and I just said: 'Human Model' off the top of my head. Then I followed the music and did a random silly dance. Truthfully, I did not know what I was doing, but my movements were lewd and comedic and the whole panel were rolling on the floor laughing. Sandra then said to me: "That's fine, you're in!"


Working alongside Ronald Cheng hosting TVB's talent spot "It's Show Time" in 2005 and taking on a more intense role in "Split Second".
Impersonating Heavenly Kings
After playing the director role in "King of Comedy", Johnson's career went smoothly as he became the host of an internet media site and released a comedy album entitled "Dog.com". At the time, the gay scene was not as open, so this album created quite a gimmick with songs such as "Love Dick Call Out" which was a spoof of Aaron Kwok's hit song "Love's Call Out", using the same great melody, but with some alternative lyrics that were also very funny.
Afterwards, Chan Fai Hung invited Johnson onto the 1999 CRHK Music Awards to impersonate the 'four heavenly kings' opposite Sandra Ng and he raised the roof with laughter with his performance. With this success, the website promoted his singing career and he became Hong Kong's first internet based pop singer, selling four thousand copies of his album and doing even better than some of the real singers, but after signing with TVB on a singer contract, everything went quiet.
In 2001, Johnson changed his contract to an artiste and joined EYT in the same year, where he did lots of dressing up for sketches. In 2002, he filmed his first series, where he played the convenience store clerk in "Life Begins at Forty", truly becoming the 'Super Bit Part Player'. Asked if he felt bad about this, he says openly: "To be honest, why would someone use Johnson Lee? Why me? If someone offers me a leading role right at the beginning and I don't have that kind of acting experience, then I would be even more scared. Now that TVB have signed me and I have opportunity to perform, then this is the chance to learn and to be paid to do this, I am definitely at an advantage."

Johnson's foray into the music world with 'Dog.com' - his parody album.
Waiting for Paradise
Since 2002, Johnson's parts have become more and more substantial and he is currently appearing in "Welcome to the House", "Men in Pain" and "Forensic Heroes" in three very different roles. Asked if he is waiting to become a 'heavenly king' of TV, he says: "Everyone has their own different paths and I fel that you shouldn't force too much expectation. I will cherish every opportunity to appear and when I have work, then whilst it is an opportunity to learn to act, I will also think about: 'Why has the director filmed it this way? Why is the lighting set up like that? If I wanted to portray this, how would I film it?' Learning all these backstage skills will help me to fulfil my dream to become a director."
Who doesn't want to be the top man in television, but is being a director better than being the Number One? Johnson definitely feels that being a director is better. Of course, in the hierarchy of the film studio, it is the director that has the greatest power and even the kings have to listen to their instructions. You can't count it this way though, but question is how he will become a director: "I have been writing a script all along and it is in my drawer. If someone is ready to invest, I am ready to start filming it at any time. Don't ask me what the genre is, it is an industrial secret! Is the script good? How can you tell? Before 'Bus Uncle' was released, you didn't know that it would become a hit!" It is hard to imagine how much of a hit Director Lee's film will be, so we will just have to wait and see.
A Director Possessed
Don't think that Johnson's appearance is a bit dorky, his brain is very fast. Originally we had planned to have the shoot for this interview in the City, but due to time constraints, we had to settle for the outside area of TVB City - that is Tseung Kwan O Industrial Estate. Everyone became worried about the lack of scenery, lack of nice clothes and with the subject not on the 'handsome' lines - would this work? Fortunately when Director Lee arrived, he took a look at the clothes we had borrowed, a look at the surroundings and then he said: "This outfit does not match the setting... this setting has a California feel... moving into the scene this will will have an action feel....". Wow! Believers will be saved and the results were showing unexpected results and at first glance, they looked easy on the eye.
Truly, we have admiration for Johnson's creativity and admire his sensitivity to the camera as we wait earnestly for his directorial masterpiece.
After playing the director role in "King of Comedy", Johnson's career went smoothly as he became the host of an internet media site and released a comedy album entitled "Dog.com". At the time, the gay scene was not as open, so this album created quite a gimmick with songs such as "Love Dick Call Out" which was a spoof of Aaron Kwok's hit song "Love's Call Out", using the same great melody, but with some alternative lyrics that were also very funny.
Afterwards, Chan Fai Hung invited Johnson onto the 1999 CRHK Music Awards to impersonate the 'four heavenly kings' opposite Sandra Ng and he raised the roof with laughter with his performance. With this success, the website promoted his singing career and he became Hong Kong's first internet based pop singer, selling four thousand copies of his album and doing even better than some of the real singers, but after signing with TVB on a singer contract, everything went quiet.
In 2001, Johnson changed his contract to an artiste and joined EYT in the same year, where he did lots of dressing up for sketches. In 2002, he filmed his first series, where he played the convenience store clerk in "Life Begins at Forty", truly becoming the 'Super Bit Part Player'. Asked if he felt bad about this, he says openly: "To be honest, why would someone use Johnson Lee? Why me? If someone offers me a leading role right at the beginning and I don't have that kind of acting experience, then I would be even more scared. Now that TVB have signed me and I have opportunity to perform, then this is the chance to learn and to be paid to do this, I am definitely at an advantage."

Johnson's foray into the music world with 'Dog.com' - his parody album.
Waiting for Paradise
Since 2002, Johnson's parts have become more and more substantial and he is currently appearing in "Welcome to the House", "Men in Pain" and "Forensic Heroes" in three very different roles. Asked if he is waiting to become a 'heavenly king' of TV, he says: "Everyone has their own different paths and I fel that you shouldn't force too much expectation. I will cherish every opportunity to appear and when I have work, then whilst it is an opportunity to learn to act, I will also think about: 'Why has the director filmed it this way? Why is the lighting set up like that? If I wanted to portray this, how would I film it?' Learning all these backstage skills will help me to fulfil my dream to become a director."
Who doesn't want to be the top man in television, but is being a director better than being the Number One? Johnson definitely feels that being a director is better. Of course, in the hierarchy of the film studio, it is the director that has the greatest power and even the kings have to listen to their instructions. You can't count it this way though, but question is how he will become a director: "I have been writing a script all along and it is in my drawer. If someone is ready to invest, I am ready to start filming it at any time. Don't ask me what the genre is, it is an industrial secret! Is the script good? How can you tell? Before 'Bus Uncle' was released, you didn't know that it would become a hit!" It is hard to imagine how much of a hit Director Lee's film will be, so we will just have to wait and see.
A Director Possessed
Don't think that Johnson's appearance is a bit dorky, his brain is very fast. Originally we had planned to have the shoot for this interview in the City, but due to time constraints, we had to settle for the outside area of TVB City - that is Tseung Kwan O Industrial Estate. Everyone became worried about the lack of scenery, lack of nice clothes and with the subject not on the 'handsome' lines - would this work? Fortunately when Director Lee arrived, he took a look at the clothes we had borrowed, a look at the surroundings and then he said: "This outfit does not match the setting... this setting has a California feel... moving into the scene this will will have an action feel....". Wow! Believers will be saved and the results were showing unexpected results and at first glance, they looked easy on the eye.
Truly, we have admiration for Johnson's creativity and admire his sensitivity to the camera as we wait earnestly for his directorial masterpiece.

return to main page News Plus Index Johnson's TVB Weekly interview